Sold in 5 lb. units. Red. Shown fired to Cone 6 with a Clear Glaze.
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 Smooth, plastic, talc-free white firing clay, suitable for throwing and sculpture. Ideal for beginners and schools.
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This clay has the same properties as Miller #10 but with medium grog added for larger thrown and sculpture pieces. Lower shrinkage.
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A smooth, plastic, terra cotta colored clay for wheel throwing and excellent for handbuilding as well. Fires to a rich terra cotta red.
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#20-G has the same properties as Miller #20 with a fine grog added for slightly less shrinkage and improved workability.
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A good wheel and handbuilding clay body, dark in fired color at Cone 6. Iron colorants in body enhance most glaze color developments.
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A medium coarse, Cone 10 dark clay with 60 mesh sand. Turns deep brown in reduction and brown in oxidation. Good for various forming techniques.
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A premier, cream-white, throwing clay that is easy to throw and form. Smooth porcelain texture. Fires gray/white in reduction and lighter in oxidation. It is similar to porcelain but it throws like a dream.
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A pliable clay with smooth grog and color from manganese and iron. Fires almost black when in oxidation. It is not recommended to fire this clay in reduction.
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B-Mix 5's smooth, porcelain texture is a pleasure to throw and form, and it fires to a cream color in oxidation.
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Low in sand and grog content, speckled buff is smooth textured. An excellent throwing body. The color palette is perhaps best described as 'desert' or 'Southwest'.
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A speckled mid temperature, smooth, porcelaineous stoneware that is very plastic and workable. This clay prefers slow drying and ample compression on rims and bottoms to avoid cracks.
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A red stoneware clay body with medium grog and minimal porosity at Cone 6. A superior functional clay, ideal for hand-building and throwing small to medium pieces. Fires to a warm brick red color in oxidation.
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A very fine grog makes for a more forgiving body with a slight texture and minimal speckling.
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An exceptionally white and translucent throwing porcelain for Cone 5-6.
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A medium-sized grog version of our popular Cone 5 B Mix clay body with the addition of Red clay to achieve a warm Orange Brown color. Very forgiving during drying and good for forming larger sized objects.
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Dark buff firing clay. Versatile, medium textured throwing body.
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Stoneware favorite. Light sand color with fine specks. Excellent cone 5/6 throwing body which enhances glaze colors and effects. There is no better all around throwing body available for the stoneware look.
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Excellent off-white stoneware clay for wheel work. Minor speckling caused by fireclay enhances appearance. Used by many for functional pottery. Neutral glazes are not altered by clay body ingredients allowing for purer glaze color.
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This clay is compounded to be a stoneware clay with specks that bleed through the glaze, giving the appearance of iron burning through, typical of reduction glazes and clays. A very popular throwing clay for production potters.
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Smooth white stoneware, good for throwing and production of functional whiteware.
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Same as the WC609 Miller #65 but with sand added, making it desirable for tile, slabs and handbuilding.
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A very plastic throwing clay, dark in color, featuring heavy specking. Creates excellent glaze effects with dark gray color and specks.
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A good wheel and handbuilding clay body, dark in fired color at Cone 6. Iron colorants in body enhance most glaze color developments.
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Formulated with fine grog and red art to obtain rich dark color. Good for outdoor pots as well as functional pottery and sculpture when fired to Cone 6.
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Translucent porcelain. An excellent grolleg body for throwing thin pieces.
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Grolleg Cone 6 porcelain. similar to Miller #15 with more ball clay, making it less white, more plastic and forgiving. Additional silica reduces crazing in some glazes. good for slab forming.
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A very popular white stoneware, #510 is a very plastic, smooth throwing clay with superior handbuilding and slab properties. Contains fine grog.
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An off-white, typical light stoneware throwing clay. Medium texture for good tooth. Contains fire clay, no additional color.
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This is considered by many to be the best clay for production pottery. Ideal for those who Sgraffito, wax resist and want a finer texture to minimize picking. Great for planters, etc.
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