|
|
Casting, Pressing, Extruding
|
|
|
|
Making a professional quality mask that's interesting, has character and expresses an attitude is an art in itself. In this manual, Karl Zundel breaks down the process into three main categories.
|
|
|
|
|
|
|
|
|
|
This technical how-to guide contains all the information needed to get started and resources for the potter interested in making ceramic extrusions.
|
List Price: $21.50
Axner Price: $18.57
You Save: $2.93 (14 %)
|
|
|
|
|
|
|
|
This definitive guide to the craft, by widely respected ceramist and instructor Andrew Martin, has been newly revised. No other book on the subject describes and shows the key techniques in such detail.
|
List Price: $24.95
Axner Price: $18.34
You Save: $6.61 (26 %)
|
|
|
|
|
|
|
|
Beyond the world of pinch and coil constructions and wheel-thrown pots lies a vast array of opportunities for the ceramic artist. You'll discover a wealth of information, techniques, and inspiration on topics that span the functional to the sculptural.
|
List Price: $29.95
Axner Price: $27.56
You Save: $2.39 (8 %)
|
|
|
|
|
|
|
|
John Colclough carefully explains how to successfully make and use moulds of varying complexities, both for industrial and artistic use. This book should be a must for anyone venturing into this field.
|
List Price: $21.97
Axner Price: $7.10
You Save: $14.87 (68 %)
|
|
|
|
|
|
|
|
Offers information not found in other model and model making books... like pointers on template techniques for symmetrical models, and simple tips on patching molds and preventing bubbles.
|
List Price: $9.95
Axner Price: $6.75
You Save: $3.20 (32 %)
|
|
|
|
|
|
|
|
Fast production on a shoestring—ATTIC tells you how to get started on your own, and provides valuable information on die making.
|
List Price: $9.95
Axner Price: $8.12
You Save: $1.83 (18 %)
|
|
|
|
|
|
|
|
Contains all you need to know about slip! Covers source material, mixing, testing, possible problems and glossary of terms.
|
|
|
|
|
|
|
|
|
|
Clearly explains and demonstrates the techniques involved and shows how they can be adapted for the studio workshop. Examples of the work of an international group of artists are used to illustrate the range and versatility of that technique.
|
|
|
|
|
|
|
|
|